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heidisaman:Always and forever. For her vulnerability, talent,...
heidisaman:“It’s very important for feminism for us to tell our...
heidisaman:“Going to those private schools where I was told...
heidisaman:“We carry our history with us. We are our history....
heidisaman:“If we opened people up, we’d find landscapes. If...
heidisaman:Establishing shot.Still from Cairo Station (Bab el...
via heidisaman:“There’s a clear “break” with a...
heidisaman:“It’s an amazing movie that I was unaware of until Gus [Van Sant] showed it t
heidisaman: Composition #45 Meek’s Cutoff (2010, dir. Kelly Reichardt) Cinematography by Christophe
heidisaman:“I’m interested in seeing films that confront me with new things, with films
heidisaman:“Classical tragedy was the war between good and evil. We wanted evil to be defe
heidisaman:“One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman:“Classical tragedy was the war between good and evil. We wanted evil to be defe
heidisaman: Etel Adnan, Untitled, 2017. 
heidisaman:“I’m interested in seeing films that confront me with new things, with films
heidisaman:“I’m interested in seeing films that confront me with new things, with films
heidisaman:“Classical tragedy was the war between good and evil. We wanted evil to be defe
heidisaman:“One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: “People ask me that all the time [why I make movies about teenagers]…I al
heidisaman:“I’m interested in seeing films that confront me with new things, with films
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